On the Passage of Lady Carma Through the Vale of Sleep


Compiled by Master Seraphel Vire,
Senior Chronicler of the Lyceum of Resonant Histories,
Fellow of the Sapphire Collegium,
With Commentary and Notes for Future Scholars


Prefatory Note

Among the many contested accounts of near-death experiences recorded in the Collegium’s archives, the case of Lady Carma, Paladin of the Radiant Church, is singular in both theological and metaphysical significance. The subject not only traversed the interstitial realm commonly called the Vale of Sleep, but returned bearing a relic whose provenance had previously been classified as mythic speculation (see Appendix III: “Swords That Should Not Exist”).

What follows is a reconstruction based on her testimony, corroborated by planar divinations, bardic resonance readings, and no fewer than three intoxicated eyewitnesses.


I. On the Nature of the Vale of Sleep

Lady Carma reports awakening in a liminal field under a sky neither day nor night, devoid of divine presence yet not wholly abandoned. This description aligns with pre-Cataclysmic accounts of the Transitory Eschaton Plane, colloquially the Vale of Sleep.[1]

Notably, she lacked armor, weapons, and holy symbols suggesting that material faith does not transfer across planar thresholds, or that the plane strips symbols to test sincerity of belief.[2]


II. On the Entities Encountered

A. The Soul Called “Weasel”

The subject encountered a disembodied soul identifying himself as Weasel, suffering cranial fragmentation yet displaying no distress.

This aligns with Psychic Residual Self-Perception Theory, wherein souls manifest self-image at the moment of death or greatest regret.[3]

His warning against following the lantern-lit ferry corresponds with known Mass-Transit Psychopomp Routes, typically leading to final judgment without agency.[4]


B. The Nightwing

Lady Carma was attacked by a winged venomous entity she termed a Nightwing. This creature matches Nightmare Court servitor taxonomy:

  • Bat-like wings
  • Toxin-based despair-inducing venom
  • Behavioral pattern: testing and culling the resistant

Her initial defeat and subsequent cyclical awakenings suggest the Vale permits iterative existential trials rather than linear death progression.[5]


C. The Tavern and Its Proprietor

The subject visited a tavern populated by regret-bound souls, archetypal in nature (Bride, Pilgrim, Fisherman). These figures are consistent with Mnemonic Archetype Imprints, common in liminal dream-realms where identity erodes into narrative roles.[6]

The tavern keeper provided direct exposition on the Nightmare Court and the metaphysics of belief shaping reality—information too accurate for random dream logic. I therefore classify the keeper as a Didactic Psychopomp (see also: “Bartenders Who Know Too Much”).[7]


III. On the Ruined Manor and the Fallen Paladins

The manor containing deceased paladins is of exceptional theological interest.

The fallen knights expressed despair due to unanswered prayers, indicating that paladins who die in faithless isolation may become self-reinforcing despair-echoes, rather than proceeding to divine realms.[8]

Their attempt to persuade Carma to abandon hope suggests despair is contagious and memetic, supporting the Entropic Faith Collapse Model proposed by High Cantor Meriselle.[9]


IV. On the Holy Sword

The blade was found not bound by prophecy or enchantment but simply waiting. This contradicts standard relic genesis models.

Hypothesis A: The sword is Faith-Condensed Potential, manifesting when a paladin refuses despair in a despair-saturated zone.
Hypothesis B: The sword is a temporal bootstrap relic, placed by Carma herself in a future timeline (see Temporal Paradox Blade Theory, Appendix VII).

Notably, the fallen knights were released upon its claiming, implying the weapon functions as both spiritual key and theological counter-meme.[10]


V. The Final Conflict

The Nightwing’s second manifestation and defeat aligns with the pattern of Final Proof Trials, wherein a soul must act upon newly acquired belief to exit the liminal state.[11]

That the Nightwing fled rather than died suggests nightmares cannot be destroyed, only disproven.


VI. Return to Material Plane

Carma’s companions discovered her near death in a pit, corroborating the Somatic Anchor Hypothesis, which posits that liminal journeys require a living body as a metaphysical tether.[12]

Her return with the sword constitutes a Category V Anomalous Artifact Emergence, warranting ongoing study and potential Church concern.[13]


Concluding Remarks

Lady Carma’s case demonstrates that:

  1. Faith functions as a metaphysical force independent of divine intervention.
  2. Despair forms quasi-entities capable of persuasion and resistance.
  3. Belief can crystallize into material relics under sufficient existential pressure.

It is my professional opinion that hope is not merely a virtue but a plane-shaping constant—and that paladins should be encouraged to engage in controlled despair exposure under academic supervision.[14]


Annotations & Footnotes

[1] See Eschatological Waystations and You, Vol. II, Collegium Press.
[2] Church of Westrun disputes this, claiming equipment loss is “aesthetic.”
[3] Weasel’s casual attitude toward cranial absence remains unexplained.
[4] Ferry usage recommended for civilians; strongly discouraged for heroes.
[5] See also “Respawn Phenomena in Post-Mortem Dreamscapes.”
[6] Similar to stock characters in bardic epics; troubling implication.
[7] Also classified under “Suspiciously Helpful NPCs.”
[8] This finding has caused three minor schisms already.
[9] Meriselle later retracted after experiencing existential dread.
[10] The Church has requested the blade for “inspection.” Carma declined.
[11] Comparable to initiation trials of the Dawn Monastery.
[12] See Case Study: “The Monk Who Forgot to Come Back.”
[13] Classified as “Please Do Not Touch Without Consent.”
[14] Proposal rejected by ethics committee (and everyone else).


Appendix: Bardic Note to the Reader

While this document aspires to academic rigor, it should be remembered that all bardic scholarships are filtered through song, memory, and at least one glass of wine.

Should further data be required, Lady Carma has agreed to interviews, though she insists on calling them “adventures, not experiments.”